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Sunday, July 22, 2012

Saturday, July 21, 2012

Walters Art Museum

Coitus-shaped cookies!

Tuesday, July 17, 2012

Monday, July 9, 2012

Lady Macbeth's Period

In her article, "A Strange Infirmity," Jenijoy La Belle points out that Lady Macbeth, in preparing to murder Duncan in order to assure a certain line of kingship, asks a preternatural being to allow her menstruation to stop, assuming, psychologically, that it will make her less "feminine" and able to do the deed. Very interesting read indeed.

John Singer Sargent, Ellen Terry as Lady Macbeth, 1889, Tate Gallery, London
 

Note that the dress in this picture, as it exists today with the beetle wings all over being refurbished, is included in an earlier post from last spring.


Saturday, July 7, 2012

Cellini's Blood


Michael Cole's essay Cellini's Blood posits that the blood spewing from Medusa's neck in Benvenuto Cellini's mid-16th-century bronze at the Piazza della Signoria in Florence--and that dripping and coagulating from her neck--evokes coral. Coral was thought to have come either from Medusa's ichor itself or from seaweed that was petrified by her gaze and turned red from her blood. The significance is how it relates to bronze and the art of casting, looking especially at Cellini's dramatic autobiography and also enhances the value of the gift--coral being precious and acting as a periapt--being presented by Perseus to the citizens of Florence.



Friday, July 6, 2012

Science Florentine

One room of Susini's wax anatomical models at La Specola.

A model of the bicep at the Museo Galileo in Florence

One of Susini's famed Venuses

An armillary sphere by Antonio Santucci at the Museo Galileo

Early thermometers at the Museo Galileo

A sundial on the exterior of the Santa Maria Novella
"Wine for Women"

The "baby hatch" at the Ospidale degli Innocente. The grate was made just this size so that only newborns could pass through.
A wax depicting the plague at La Specola
A larger view of the "baby hatch" at the Ospidale. The building itself was designed by Brunelleschi, the architect of the famed Duomo in the heart of Florence
A wooden model of a fetus in utero at La Specola
A relic at San Lorenzo in Florence