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Saturday, December 29, 2012

Friday, December 28, 2012

Vénus endormie


Sleeping Venus (1944) by Paul Delvaux, who was inspired by the Spitzner Museum of anatomy.

More on the Spitzner Collection.

The Erotics of Electric Eels


The 'electric stroke' and the 'electric spark': anatomists and eroticism at George Baker's electric eel exhibition in 1776 and 1777.

Source

Abstract

In 1776 and 1777 five living electric eels exhibited in London became a sensational spectacle that appealed to anatomists, electricians and connoisseurs of erotica. George Baker's exhibition made visible the 'electric spark' of the electrical eel and a series of experiments were both witnessed by and participated in by members of the Royal Society and the metropolitan elite. Some participants even grasped the eels firmly in their hands and felt the 'electric stroke' of the eel in addition to observing the spark. In their observation of the electric eel some of these spectators transposed the vivid electric spark from the sphere of electricians and anatomists into that of satirical and erotic literature. Here the erotic electric eel proliferated in the literature and the eel took on quite different connotations that nonetheless were reliant on readers knowledge and experience of the exhibition, experiments and the preoccupations of anatomists. George Baker's electric eel exhibition of 1776 and 1777 is then instructive in exploring the production and circulation of knowledge in Georgian Britain. The story of the electric eel in Georgian culture charts the creation of the electric spark and stroke as objects of observation and encounter, their exhibitionary context, and finally their divergent meanings as the electric eel became erotically charged for a metropolitan masculine elite.

 2010 Sep;34(3):87-94. doi: 10.1016/j.endeavour.2010.06.003. 


From The Wonder In Us, 1921


From Corvidae Corvus and the NY Times

Tuesday, December 18, 2012

"the figures of Mary and Elizabeth are each inset with crystal-covered cavities through which images of their infants may originally have been seen."



Dickens' Taxidermy of Love


Monday, December 17, 2012

Scholarly Article Quote of the Day


"a customer at Seba’s sale purchased a lot that contained a “piece of a penis, artfully prepared” by Ruysch, a preparation of intestines, a book, and amole skeleton for the sum of 23 guilders. In 1713, Bidloo’s “most charming mole skeleton” was sold for 4 guilders 10 stuivers. Human intestines “decorated with wax and mercury and a corium humanum” were also available for 1 guilder 10stuivers. A “penis siccatus” fetched 1 guilder and 2 stuivers together with “two testicles injected with mercury.” As part of a separate lot, several “penes viriles etcanini” were purchased for 14 stuivers, even though a dog’s baculum was also added. Adding together Bidloo’s mole skeleton, intestines and penis, the totalamount is 7 guilders 2 stuivers, and it also includes an extra corium humanum and the two testicles. Discounting the additional book on Seba’s sale, Ruysch’sspecimens were still worth three times as much as Bidloo’s."

Maurice Ravel's Bolero and Brain Decay as a Creative Catalyst





Art, Death, and Censorship


On Sweden, Art, and Consent to Use Human Remains



Ask a Mortician about Zombies!

Sunday, December 16, 2012

Friday, December 14, 2012


Jacopo Ligozzi at the Louvre, via The Macabre and the Beautifully Grotesque

Thursday, December 13, 2012

Tuesday, December 11, 2012

Animated Monk


From Radiolab

If you listen long enough, like a few seconds, you get to the pooping duck.
My newest research adventure came to being when I noticed that my favorite flap anatomies contained imagery found in Rosicrucian texts.

Temple of the Rosy Cross


So, this leads to all sorts of craziness. Check out Robert Fludd, Athanasius Kircher, and Michael Maier.







Sunday, December 9, 2012

Archaeologists v. Prop Skulls

via io9


`


pre-Columbian skull at the British Museum


And the Mitchell-Hedges skull in question:



Saturday, December 8, 2012

Thursday, December 6, 2012

Glassman


From MS-N

© Jaume Plensa
Glassman, 2004

Monday, November 26, 2012

Spaghetti on the Brain



And more HERE

From Jean-Luc Godard's Une Femme Mariée, 1964

from HERE

Friday, November 16, 2012

The Weird History of Albert Einstein's Pieces



USA Today quote: "The locations of some of Einstein's brain chunks are unknown, unfortunately."

ABC News quote: "[Dr. Thomas Harvey] removed Einstein’s eyeballs and gave them to Einstein’s eye doctor, Henry Adams. To this day, they remain in a safe deposit box in New York City."


And the Wikpedia article entitled "Albert Einstein's Brain" also mentions the fate of other so-called genius's brains.

Sunday, November 11, 2012

Saturday, November 10, 2012

So Much More to Enjoy

I'm talking about THIS.


With things like this:


And this: 


Sylvie Guillem on the Art of the Body


Thank you to SS for sharing!

Don't Deracinate Me, Bro!


Super creepy mandrake root from the movie Pan's Labyrinth that TALKS.


"Since the Mandrake root looked human, it was said that it was alive and to take it from the earth was to tear it from its home. It would, therefore, give a terrible scream when pulled up. That scream was so terrible that it would drive insane the person who had tried to take it, or even kill with its shriek. There was, then, a special way in which one obtained a Mandrake. Needed were a hunting horn, a length of rope, a hungry dog, and a piece of meat. The Mandrake was said to grow beneath a gibber, feeding on the fat dripping from the hanged corpse. On the night of a full moon, the magician had to drop a noose of the rope over the Mandrake and then tie the other end to the dog's collar. He would then retire to a safe distance and throw down the piece of meat. The dog, being hungry, would lunge forward to get the meat, pulling on the rope and dragging the mandrake out of the soil. At that point the magician should blow loudly on the horn to drown out the sound of the plant's scream. The dog would hear the scream and drop dead, but the magician would have his mandrake!" 

-from The Mysterious Human-Shaped Mandrake Root 

19th- and 20th-Century Post-Mortem Photography








Thursday, November 8, 2012

Things Swallowed

From Ambrose Paré, On Monsters and Marvels



From the Mutter Museum